Friday, March 05, 2010

This blog has moved


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Sunday, February 28, 2010

HERE. . . and Half Blind


John Gossage's latest book, HERE . . . Half Blind, is a result of his current exhibition at the Rochester Art Center in MN, and an excellent addition to his long list of great books. Commissioned to photograph the city and it surroundings, Gossage has produced another dark yet poetic look at the vernacular American landscape. Much like his previous book, Secrets Of Real Estate, HERE. . .Half Blind continues Gossage's investigation into mid-sized American cities and the larger state of America in the 21st century.

A oversized 12.5"x22.5" inches, the book is printed on newsprint and bundled together with a red ribbon. As always, Gossage surprises and confounds expectations with his design and aesthetic choices. At first, the newsprint seems a disappointing medium for his photographs, but once you learn that the images were also circulated a part of the Post-Bulletin, the local newspaper, the choice has a deeper aesthetic resonance given Gossage's exploration of the American vernacular. Another intriguing detail is the deadpan and somewhat cryptic text that runs along the bottom of the images. Culled from Wikipedia's entry on Rochester, MN, home to the Mayo Clinic among other things, the crowd-sourced monotone of the wikitext refuses to impose meaning on the images and instead frees them for more personal readings and reactions.

Throughout the book and interspersed with his signature images of suburban life are shots of local teenagers and art students. Although his early work does include portraits, the inclusion of portraits is a rarity for Gossage. Given the communal nature of the commission and the dissemination of the images, the portraits are a nice touch and help move the work beyond a purely hermetic and subjective exploration of the landscape. In choosing to photograph teenagers and local art student, Gossage highlights not only the youth than inhabit and shall inherit this shabby, yet beautiful landscape, but the ones who might ultimately transform it in the years to come.


© John Gossage, All Rights Reserved

© John Gossage, All Rights Reserved

In addition to Gossage's work from the book and a series not included in the book, the exhibition includes a collection of postcards from Rochester. The tension between the the more direct postcards and Gossage's subjective exploration sounds intriguing. As the press release states,

As in his previous projects, Gossage makes known the disregarded and seemingly insignificant elements of our environment. Beyond the compelling formal qualities of these photographs, there is an emotional and human component to these images, though in most no individual is visibly present. In his photographs, Gossage reveals somewhat ambiguous and indeterminable information about place, to allow the viewer to ultimately decide upon the significance. The subtlety of this approach is in stark contrast to other images of Rochester, such as in the postcards, which are meant to overtly declare the importance of whatever is presented.

Unfortunately for me, the show is in Minnesota, but it sounds great. As spoiled as I am in New York, there are always shows I wish were a little closer. If are in Minnesota or near Rochester, check out the show. You can order the book directly from the Rochester Art Center here.


© John Gossage, All Rights Reserved

Saturday, February 27, 2010

blogger part 2

UPDATE: I keep having problems with blogger (old posts deleted, feed errors etc...), but I'm working on moving the blog. I've set up this temp site here until I set up a final home either at this location or via wordpress.

At this point, for a variety of reasons, I'm more inclined to separate the blog from my site rather than hosting it in a subdomain - i.e. adambbell.com/blog or blog.adambbell.com.

Monday, January 25, 2010

Adam Schreiber


© Adam Schreiber, All Rights Reserved

Adam Schreiber has a show coming up at Sasha Wolfe Gallery this March. There is not much out there about his work - but it looks pretty interesting. Like many contemporary photographers, his work seems to skirt easy definition, but seems to draw playfully on the history and multifaceted nature of the medium from corporate and scientific photography to conceptual art photography. Referring to his recent work, one press release states,

[Adam draws] much of his imagery and inspiration from the Harry Ransom Humanities Research Center at the University of Texas at Austin, a library and museum dedicated to the humanities. There, he has photographed cultural artifacts ranging from the first known photograph taken in 1826 to a variety of other industrial and historical oddities.
 

© Adam Schreiber, All Rights Reserved

© Adam Schreiber, All Rights Reserved

© Adam Schreiber, All Rights Reserved

You can see more here, here and here.

Monday, November 16, 2009

Lay Flat 02: Meta



Lay Flat 02: Meta, the second issue of Lay Flat is currently in production and is in need to additional funds. If you can, make a donation to help print and distribute the issue. Any donations of $50 or over will receive a tote bag with the Lay Flat logo, but no donation is too small. Issue 01 was great, and is already sold out, and this new issue looks even better. I am very excited to have an essay in the upcoming issue and can't wait to see it.

----------------------

Lay Flat 02: Meta

Lay Flat 02: Meta
Edition of 1,000
ISSN 1948-2876
ISBN 978-0-9842973-1-3

Release date: TBA

Edited by Shane Lavalette and Michael Bühler-Rose.

Lay Flat 02: Meta brings together the works of contemporary photographers whose images are conceptually engaged with the history, process and conventions of the medium itself. Photographs by Claudia Angelmaier, Semâ Bekirovic, Charles Benton, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Torbjørn Rødland, Noel Rodo-Vankeulen, Joachim Schmid, Penelope Umbrico, Useful Photography, Charlie White, Ann Woo and Mark Wyse are accompanied by the textual contributions of Lesley A. Martin (Publisher/Editor, Aperture Foundation), Adam Bell (Co-editor, The Education of a Photographer), Noel Rodo-Vankeulen and Arthur Ou, as well as an interview with artist James Welling by Lyle Rexer (Author, The Edge of Vision: The Rise of Abstraction in Photography).


Thursday, November 05, 2009

JL editions


© Michael Schmelling and JL Books, All Rights Reserved

JL Books has a number of great limited editions and artists books now available that are all very reasonably priced - especially given many are only in editions of 10-30. All of them look pretty great, but some stand outs are: Michael Schmelling's mystery envelope, which contains a small collection of prints; David La Spina's xeroxed book on Mamaroneck, with hand-tipped photos; Ed Panar's collection of prints enclosed in a glassine envelope, Relics; Darin Mickey's collection of prints in a HR envelope; and finally Gregory Halpern's Omaha Sketchbook.


© David La Spina and JL Books, All Rights Reserved


© David La Spina and JL Books, All Rights Reserved


© Ed Panar and JL Books, All Rights Reserved


© Darin Mickey and JL Books, All Rights Reserved


© Greg Halpern and JL Books, All Rights Reserved

Thursday, October 15, 2009

Space is the Place